by Thomas Leonard Shaw
Once upon a time the Sun and the Moon were married, and they had many children who were the stars. The Sun was very fond of his children, but whenever he tried to embrace any of them, he was so hot that he burned them up. This made the Moon so angry that finally she forbade him to touch them again, and he was greatly grieved.
-The Sun and the Moon1
I.
The pain was love,
that to receive love was to be pained.
Know that I am the child of a man who loves
a little too physically, a little too roughly,
who is a little too easy with the hands, a little too daring
with his feet. Without the softness of rain,
or the reason of wind, his love given
without restraint. The tragedy is that love is mine,
but I do not want it. Maybe father will understand
one day that I fear what he calls love.
II.
Forgive me for I am sorry
I was a little too quiet
about his warmth.
What I understood before
darkness
was the hand swerving through air.
What I knew in between
blows
was that I have faltered.
By the time you will hold me,
Mother,
know that I now understand why
not all who love can be
forgiven.
I say this firm with the knowledge
that I will never be able to
myself. Forgive me that my quiet
pre-empts the end of your silence.
III.
What can be done
Is done.
What can be burned
Is burned.
What can be buried
Is buried.
What can be remembered
Is remembered
What can be forgiven
Is not forgiven.
What is forgiven
Is not forgotten.
What is forgotten
Is a cosmos beginning collapse.
1“The Sun and the Moon,” in Philippine Folk Tales, ed. Mabel Cook Cole (Chicago: A.C. McClurg & Co., 1916). https://www.gutenberg.org/files/12814/12814-h/12814-h.htm
EDITOR’S NOTE: The formatting of Section III has been adjusted for this digital version of “When You Love, Paper Burns.” To see a PDF version of the poem, click on the link below.
Thomas Leonard Shaw is a queer, liminal poet-theorist, and a faculty member at the Department of English and Comparative Literature, UP Diliman. He was a poetry fellow at the 1st Philippine National LGBTQ Writers’ Workshop, the 1st Cebu Young Writers Studio, the 59th Silliman University National Writers’ Workshop, and a panelist for the Cebu Writers’ Workshop. Thomas has been published in several different countries. He is also a poetry and critical essay editor for the Katitikan Literary Journal.
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